![]() The future of shooting motion pictures using total ADR never looked brighter. Some movies get away with mixing MOS shots with sync sound shots by using sync sound only for close-up shots and using MOS for all the rest of the motion picture.ĪDR in Schools - DV Camcorder The voice actors for "The Good, the Bad and the Ugly" had been doing radio dramas for years when they did the ADR for this movie for all but the principle characters in the movie, most of whom were speaking another language.ĪDR does not work as well when you mix shots done MOS with shots done with sync sound. If you have highly skilled actors with good vocal control doing the ADR for the entire movies, the results are more than acceptable. The secret of doing movies MOS and adding all the dialog later via ADR is the quality of the actor's voices. Even the Indian people like to watch the later dubbed sound instead of the sync sound. Almost all of the dialog shots were filmed MOS. In case you think that no professional movie will ever be filmed this way, look at "The Good, the Bad, and the Ugly". In case you think that this is just one or two movies, remember that in Madras (Chennai), India, more motion pictures are filmed each year than in any other city in the world. You can never get sync sound with that camera because of the noise and the less-than-perfect motor speed.) (Note: In Madras, many of the profitable, low-budget comedies are filmed with an old Arri "C" camera. ![]() You don't need a clapper to keep the audio in sync. You don't have to use movie cameras which have accurate motors. You don't have to worry about getting actors who can say their lines clearly. That saves you 50% of your time right there. So why not have them all out of sync by not using any sync sound? The logic of this might not seem ideal but the economics is wonderful.īy shooting MOS, you do not have to worry about noise on the movies set. The dts technology help them to do different language shows with same print.That is why 60%of theatres are dts ready.Īll except one of the dubs would look out of sync. So they are left with no other option but to do ADR. In Madras 80% of heroines and 50% heroes do not speak the language in which the movie is made. Therefore, a motion picture for the Indian market must be dubbed into many different languages. Actually, India is like a group of countries, each speaking their own language. ![]() Question: Why do they do this? Answer: India has over 30 languages. This means none of the dialog is in sync. Then all the dialog is added later using ADR. In southern India (as well as occasionally in some countries in Europe), 35mm motion pictures are shot MOS (The actual origin of the abbreviation MOS and therefore its meaning is not doubtlessly to be specified it's often referred to the legend that a German-speaking film director translated badly "Mit Ton aus" into "with out sound" ). The best place to learn about ADR is India. This has been replaced (except the "ad nauseam" part) by computerized workstations which greatly enhance the workflow as well as giving distinct advantages to further post production audio work such as "sweetening".ĪDR in India - MOS ![]() The actor would then watch the picture and listen to the sync sound while repeating the phrase ad nauseam until the director was satisfied the take was perfect. ![]() Historically, film stock was spliced into a loop of the segment of the dialog being replaced and this segment was interlocked to an audio recording device. For instance, all Mel Gibson's dialog was replaced in the original "Mad Max" movie because the distributor felt his Australian accent was too distracting. Sometimes it is requested by the producer. Often, the "sync" sound recorded on the set is sub-par because of ambient noise, set acoustics, or talent deficiency. This is done with the vast majority of feature sound tracks. ADR- Automated Dialog Replacement, (also referred to as "Looping"): The replacement of dialog in post-production of a film or video. ![]()
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